Creative & Reflective Writing Group for Therapists – starting September 20

pen-and-journal

A new venture! On the back of my studies in creative writing for therapeutic purposes, I am hoping over the next few months to trial a 6-session writing group designed specifically for counsellors/psychotherapists. The principle aim would be to provide a creative peer outlet in which to explore both the personal and professional sides of being a therapist – a mix of individual creativity, self-care and reflective practice.

After core training there isn’t always a huge amount of courses, workshops, etc. available that focus on personal development for therapists so this group would hopefully bridge that gap a little, while giving space to reflect on professional development also.

There is a flyer with more detail below – click the orange text to download as pdf. If you are interested, please get in touch! First session will (hopefully) be Sunday 20 September at Insight Matters, 106 Capel St, Dublin 1.

Creative + reflective writing group flyer

Simon

A Pride Poem

gay-pride-balloon

It’s been a long time since I published much on this blog, which is interesting considering that I have been writing for enjoyment and nourishment in my spare time probably more than ever. A lot of this is down to the creative/reflective/therapeutic writing studies I have been pursuing. The course I am currently doing, a Practitioner Certificate in Creative Writing for Therapeutic Purposes (or CWTP, for those who like acronyms), has brought in on a few occasions an old Japanese friend of mine, the haiku. I always had a fondness for these little fragmentary moments, as well as their slightly longer sibling, the tanka.

The haiku traditionally comprises 3 lines and 17 syllables, in a 5-7-5 pattern (i.e. 5 syllables for line #1, 7 for line #2, and 5 again for line #3). The tanka builds on this foundation and adds another 2 lines, each containing 7 syllables (a 5-7-5-7-7 pattern), bringing it up to 31 syllables in total.

What I always loved about these poems was their fierce individuality in capturing a feeling or mood or moment in time – the language I might gravitate towards to try and pinpoint the essence of one of these will be so unique to me that no one else, no matter how similar in character or personal history we might otherwise be, will be able to transmit that sense in quite the same way, simply because they are not me, and vice versa. These tiny poems’ particular ability to highlight the beauty of diversity in our human experience is, to me, very special.

In a nod to Pride, I am dedicating this knowingly rebellious 32-syllable (!) tanka to the celebration of diversity and wonderful, unapologetic uniqueness:

 

I don’t care to be

textbook. Don’t care if I am

lumpy and bumpy.

Appreciate the info,

but I’ll form myself this way,

thanks.

 

Be proud of yourself.

Simon