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A Pride Poem

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It’s been a long time since I published much on this blog, which is interesting considering that I have been writing for enjoyment and nourishment in my spare time probably more than ever. A lot of this is down to the creative/reflective/therapeutic writing studies I have been pursuing. The course I am currently doing, a Practitioner Certificate in Creative Writing for Therapeutic Purposes (or CWTP, for those who like acronyms), has brought in on a few occasions an old Japanese friend of mine, the haiku. I always had a fondness for these little fragmentary moments, as well as their slightly longer sibling, the tanka.

The haiku traditionally comprises 3 lines and 17 syllables, in a 5-7-5 pattern (i.e. 5 syllables for line #1, 7 for line #2, and 5 again for line #3). The tanka builds on this foundation and adds another 2 lines, each containing 7 syllables (a 5-7-5-7-7 pattern), bringing it up to 31 syllables in total.

What I always loved about these poems was their fierce individuality in capturing a feeling or mood or moment in time – the language I might gravitate towards to try and pinpoint the essence of one of these will be so unique to me that no one else, no matter how similar in character or personal history we might otherwise be, will be able to transmit that sense in quite the same way, simply because they are not me, and vice versa. These tiny poems’ particular ability to highlight the beauty of diversity in our human experience is, to me, very special.

In a nod to Pride, I am dedicating this knowingly rebellious 32-syllable (!) tanka to the celebration of diversity and wonderful, unapologetic uniqueness:

 

I don’t care to be

textbook. Don’t care if I am

lumpy and bumpy.

Appreciate the info,

but I’ll form myself this way,

thanks.

 

Be proud of yourself.

Simon

Workshop! Creative Writing for Self-Expression and Wellbeing (Sat 21 March 2020)

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I am delighted to announce that myself and author Claire Hennessy will be holding another collaborative workshop on ‘Creative Writing for Self-expression and Wellbeing,’ on Saturday 21 March. I can’t believe this is our fifth one already!

Location: Big Smoke Writing Factory, Harcourt Street, Dublin 2

Time: 11:00 – 16:30 (including lunch break)

Fee: €80

No previous experience of writing is required and while sharing of work is welcomed, it is not expected.

Students on PCI College’s BSc (Hons) in Counselling & Psychotherapy can count attendance as 4.5 CPD hours, which can be put towards their mandated workshop hours in the personal development category.

For further info or to  book a place, please visit Big Smoke’s website by clicking the text below:

Creative Writing for Self-Expression and Wellbeing

Incidentally, earlier this week I completed a short Children’s and Y.A. fiction course at Big Smoke (as a participant this time). Based on the group’s interests there ended up being quite a focus on picture books, which was a wonderful way to connect with that ‘inner child’ power of imagination – and even better to be able to do so in collaboration with like-minded adults. The magical creativity of visuals such as the below, from Tao Nyeu’s ‘Wonder Bear,’ should never be just for kids!

 

Simon

Workshop! Creative Writing for Self-Expression and Wellbeing (Sat 21 September 2019)

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I am delighted to announce that myself and author Claire Hennessy will be holding our fourth collaborative workshop, the slightly re-worded ‘Creative Writing for Self-expression and Wellbeing,’ on Saturday 21 September.

Aside from being less wordy, the shift in the title from ‘Mental wellness’ to plain old ‘Wellbeing’ also reflects some research findings that indicate a link between expressive writing, emotional regulation and the body’s immune system (this BBC article offers a handy summary: The puzzling way that writing heals the body).

Over the course of our first three workshops, the message from myself and Claire has been the same – expressing oneself through the written word is an easily accessible, uniquely satisfying and emotionally rewarding pursuit that demands nothing more than pen, paper and an open mind. We use a blend of writing forms to encourage participants to explore and expand their emotional vocabulary, offering a supportive environment for creative experimentation and sharing.

Participants training or working in the counselling field may find exercises potentially useful in their practice, particularly around the use of imagery as a tool to further understand the client’s unique frame of reference. The writing forms outlined may also be incorporated into the practitioner’s own self-care and reflection routines – a happy crossroads where professional imperative and personal enjoyment can meet and mingle.

Location: Big Smoke Writing Factory, Harcourt Street, Dublin 2

Time: 11:00 – 16:30 (including lunch break)

No previous experience of writing is required and while sharing of work is welcomed, it is not expected.

Students on PCI College’s BSc (Hons) in Counselling & Psychotherapy can count attendance as 4 CPD hours, which can be put towards their mandated workshop hours.

For further info or to  book a place, please visit Big Smoke’s website by clicking the text below:

Creative Writing for Self-Expression and Wellbeing

 

To conclude, a little haiku I just wrote about therapy:

What seemed so heavy

It might bury me alive

Is now my armour.

 

Simon

Workshop! Creative Writing for Self-Expression and Mental Wellness (Sat 23 March 2019)

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I am delighted to announce that myself and author Claire Hennessy will be holding our third ‘Creative Writing for Self-expression and Mental Wellness’ workshop on Saturday 23 March.

As before, it will take place at Big Smoke Writing Factory (Harcourt St, Dublin 2), and aims to marry myself and Claire’s dual passions for creativity and good mental health. Various writing forms are used to explore and expand one’s emotional vocabulary, offering a supportive environment for creative experimentation and sharing.

Participants training or working in the counselling field may find exercises potentially useful in their practice, particularly around the use of imagery as a tool to further understand the client’s unique frame of reference. The writing forms outlined may also be incorporated into the practitioner’s own self-care and reflection routines.

The workshop will run from 11am to 4:30pm, with a lunch break. No previous experience of writing is required.

Students on PCI College’s BSc (Hons) in Counselling & Psychotherapy can count attendance as 4 CPD hours – if this applies to you, just flag with me on the day and I will organise an attendance certificate.

For further info or to  book a place, please visit Big Smoke’s website by clicking the text below:

Creative Writing for Self-Expression and Mental Wellness

Please feel free to share with anyone who may be interested!

Simon

Punk Rock Doesn’t Give a Shit about Your Inner Critic

I’ve been listening to a lot of punk recently, bands like Minor Threat, Bad Brains and Bikini Kill. This is a natural progression from the punk that has populated my music taste since I got into the Stooges and the Ramones at the age of 17 and never looked back. Punk can be almost simultaneously silly and serious, political and personal, high-stakes and throwaway, but whether it’s the Sex Pistols seeking to dismantle the monarchy, Kathleen Hanna refusing to let anyone dictate her choice of best friend, or the Replacements advocating running a red light, the common thread is nearly always some overarching element of rebellion.

There is a great clip of punk-precursor legends the New York Dolls playing BBC music show The Old Grey Whistle Test in 1973 (watch it HERE). They perform ‘Looking for a Kiss,’ a swaggering sneer of a song that draws on the badass attitude of ‘60s girl group the Shangri-las, filters it through the glam rock of Bowie and Bolan and then coats liberally in NYC grime. As with the entirety of their Todd Rundgren-produced self-titled debut album, it is a defining moment in the evolution of not just punk, but rock music in general. And yet at the end of the performance, host Bob Harris appears and dismisses the band as ‘mock rock’ with a self-satisfied smirk. This kind of reaction is exactly what punk exists for. It says, we may not be as proficient as those beardy musos over there or have a ton of 12-string guitars, mandolins and Moog synths colonising our stage but we believe in what we’re doing and we won’t let you tell us otherwise. In other words, a giant fuck you to the status quo and a clear message to it that things are changing and it better watch its back.

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So what are the benefits of a punk attitude from a therapeutic point of view? To me, whether it tangibly feels like it or not, therapy itself is often an act of rebellion, particularly when it comes to things like self-worth and the desire to live authentically. You’ve been raised in a certain environment. You believe you should be and act a certain way. You’ve internalised messages about yourself from the people around you. You end up believing some of these even though they are self-critical and have a corrosive effect on your self-esteem. You’ve learned what constitutes acceptable and unacceptable behaviour in the eyes of social and/or family norms. You fear what would happen if you were to step outside of these. You self-censor. Or, you mentally challenge these ideas and then feel guilty for it. You cultivate an invisible and deeply personal antenna that alerts you to when you have committed a transgression. You listen to the little voice from your past that tells you that you’re bad, stupid, weird, awkward and unworthy of love. You get stuck in a place that isn’t authentic to what you actually want for yourself, and life goes on around you. Damn.

BikiniKill

What does punk say about all this? Punk challenges you to say NO. Punk challenges you to identify a status quo that no longer serves you and stand up to it. Punk challenges you to be and act and do in a way that feels right for you. Punk challenges you to be visible and unashamed. Punk challenges you to get angry for what you’ve gone through and put up with and settled for and had to listen to and then channel that feeling into creating something better for yourself. Punk challenges you to be friends with who you want and to consign the people and things and inner voices that hold you back to the trash can. Punk challenges you to be goofy and stupid sometimes and just go with it. Ultimately, punk challenges you to resist, rebel and reclaim, and this is what also makes therapy punk. So the next time your inner critic starts up with its usual cyclical crap, maybe try reaching for your inner leather jacket and shades and tell it where to go. Or to quote Minor Threat:

Before you take another crack
And slap yourself on the back
Before you tell me what you heard
And sum it up in one word
Before you start talking shit
Before you throw another fit:

THINK AGAIN.

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Simon

Workshop! Creative Writing for Self-expression and Mental Wellness (Sat 15 September 2018)

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Following the success of our first foray into the world of co-facilitation, I am delighted to announce that myself and author Claire Hennessy will be holding another ‘Creative Writing for Self-expression and Mental Wellness’ workshop on Saturday 15 September.

As before, it will take place at Big Smoke Writing Factory (Harcourt St, Dublin 2), and aims to marry myself and Claire’s dual passions for creativity and good mental health. Various writing forms are used to explore and expand one’s emotional vocabulary, offering a supportive environment for creative experimentation and sharing.

The workshop will run from 11am to 4:30pm, with a lunch break. No previous experience is required.

Students on PCI College’s BSc (Hons) in Counselling & Psychotherapy can count attendance as 4 CPD hours – if this applies to you, just flag with me on the day and I will organise an attendance certificate.

For further info or to  book a place, please visit Big Smoke’s website by clicking the text below:

Creative Writing for Self-Expression and Mental Wellness

Please feel free to share with anyone who may be interested!

Simon

You are queer enough

Fab blog post from Karen Pollock on the exclusionary processes that can exist even within communities that have an innate sense of being “outside” – and affirmation on how to stand up to these.

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The idea of there being only one way to be queer, and that there is a hierarchy, where some people are better queers than others seems to permeate the LGBTQ+ community. It reminds me of the concept of “trueness” which is sometimes discussed in the Kink community (and of course no community exists as an island). True subs, or dominants, believe they have found the one and only way to do BDSM, and can often be found online telling everyone else where they are going wrong. I believe the label comes from the idea of there being “one true way”. One of my tutors, Olivier Cormier-Otaño recently used the word Queerarchy, and I recognized that process of exclusion, othering, and group forming which it seems even those communities which have direct experience of exclusion are not immune to. 

This kind of behaviour is not limited to kink or LGBTQ+ people however…

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Workshop! Creative Writing for Self-expression and Mental Wellness (May 19th 2018)

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It will be my pleasure on Saturday 19 May to co-facilitate a one-day experiential workshop with long-time friend, old work colleague, and fabulous writer Claire Hennessy. Taking place at Big Smoke Writing Factory (Harcourt St, Dublin 2), the day aims to marry myself and Claire’s dual passions for creativity and good mental health. To quote from Claire’s post on the Big Smoke website:

This one-day experiential workshop… is ideal for anyone interested in creative writing as a tool to help express themselves and as an activity that can contribute to mental wellness (as well as being fun and rewarding in its own right).

Co-facilitated by writer Claire Hennessy and counsellor Simon Forsyth, this workshop invites participants to engage in a variety of exercises with an emphasis on:

  • demystifying creativity
  • finding a vocabulary for emotions
  • becoming more comfortable with committing words to the page
  • sharing (if so inclined) creative work in a safe and supportive environment

No previous experience is required.

For further info or to  book a place, please visit Big Smoke’s website by clicking the text below:

Creative Writing for Self-Expression and Mental Wellness

Please feel free to share with anyone who may be interested!

Simon

 

Self Care #3: Little Wisdoms (in Yellow)

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Hello room service? This is Marge Simpson. I’d like a hot fudge sundae… with whipped cream!… And some chocolate chip cheesecake!……… And a bottle of tequila!!

Self care can come in many guises, and so too can the inspiration for it. When I was a child and teenager I was pretty much obsessed with The Simpsons, and though I haven’t watched a new one in a long time, I can still recite bits of countless older episodes word for word. I recently re-watched an episode from 1992 called ‘Homer Alone,’ in which Marge has a nervous breakdown and checks in to the aptly-named Rancho Relaxo to recuperate. The put-upon workhorse of the family finally has some nourishing me-time and she takes full advantage of the rare opportunity, culminating with her scoffing ice cream in the tub while watching ‘Thelma & Louise,’ bottle of tequila at her side. It sounds decadent but this is a quintessential moment of glorious self care. With that as a foundation, here are three more instances from the show that have helped remind me to look after myself.

 

#1

‘Trust in yourself and you can achieve anything’ (from Lisa VS. Malibu Stacy, 1994)

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In this episode the ever-plucky Lisa takes on Malibu Stacy, the Simpsons world equivalent of Barbie. Disgusted at the disempowering rhetoric to emerge from the new talking edition of the doll (‘Don’t ask me – I’m just a girl! *giggle*), she tracks down the product’s hermetic creator and together they launch a more enlightened talking doll with feminist leanings called Lisa Lionheart. Aside from reminding girls that they can keep their own names if they choose to get married, the doll also includes the wonderful little affirmation of ‘Trust in yourself and you can achieve anything.’ In times of stress it can be very useful to simply take a moment to step back, breathe for a minute and try to not get overwhelmed. Going further though, how about actively reminding yourself that things will probably be okay, even if they look like a mess right now? Obviously some situations are more grave than others, so it won’t be universally applicable, but I’ve found it personally useful for traversing those little everyday stresses that seem to accumulate.

For example, I was on a bus recently, mentally calculating the seemingly insurmountable number of work items I had to check off before going on holiday. Not unsurprisingly, I then became aware of a feeling I think most of us have some experience with – that anxious sense of defeated helplessness that at its core represents a doubt in one’s expected ability to cope. It is very easy in such situations to go along with that inner voice and feel overwhelmed to the point of believing that things won’t work out. It may also be tempting to engage in avoidant behaviours that temporarily assuage the anxiety, but may then boomerang back as evidence that, yes, you were right to think you wouldn’t be able to cope and now look at the amount of stuff you still have left to do and you have even less time to do it! Argh! On that bus, I suddenly found Lisa Lionheart’s words comforting and empowering. ‘Trust in yourself and you can achieve anything’ – this brings us from a place of creeping self-doubt to one of pure self-belief, and the knowledge that we are often our own biggest obstacles in achieving our goals. I don’t think it’s too much of a stretch to couch this sort of reminder as a small form of self care/compassion – as in, I care about myself enough to not let any self-defeating thoughts get in the way and succeed in convincing me that I’m not the worthy, capable person I know I am. I will get the job done. Even from a linguistics point of view the shift here from passive to active (‘It will get done’ versus ‘I will get it done’) is an empowering one. Things won’t just magically realise themselves- you will be the agent of their completion, and that needs to be acknowledged! So, I stepped out of that anxious mind frame and simply trusted that I would be able to get it all done – and I did. As odd as it might sound to attribute such meaning to not just a cartoon, but a cartoon talking doll, Lisa’s affirmation of self compassion was instrumental in letting this happen.

 

#2:

‘Just do a half-assed job!’ (from Simpsoncalifragilisticexpiala-D’oh!-cious, 1997).

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In this episode the Simpsons acquire a Mary Poppins-esque nanny called Shary Bobbins. In one scene Shary entreats the children to tidy Bart’s room, to familiar moans and groans. Shary’s solution? To tell them (through song) that:

If there’s a task that must be done

Don’t turn your tail and run.

Don’t pout,

Don’t sob,

Just do a half-assed job.

Now, this is obviously not meant to be taken as universal life advice, however I do think that it speaks to the wisdom of knowing when ‘good enough’ is indeed good enough, instead of constantly seeking perfection in all things. The latter may become such a fundamental imperative to a person that their bar is raised so impossibly high that nothing they do will ever be truly good enough to them. This can be a frustrating, exhausting and lonely place to inhabit, crippled by dissatisfaction and lack of self-belief. Offering oneself the compassion to not be perfect is also a display of great self care – like saying, ‘I don’t expect you to push yourself to the brink this time – you can just do a good job.’ Naturally this is going to be much easier said than done for someone who has got so used to striving for the upper echelon of achievement in everything they do, but with some self-exploration and mental restructuring, it is not impossible. I suppose one of fundamental questions here would be, ‘What would it mean if you didn’t do this thing perfectly?’ – getting to the root of one’s perfectionistic tendencies, and how this interacts with our core sense of self, may be the first step towards a place where the idea of doing a ‘half-assed job’ doesn’t sound like such a dreadful transgression. Incidentally, this idea may work quite well in tandem with the previous affirmation of trusting in yourself and your ability to achieve anything – even if that means achieving it imperfectly.

 

#3

‘Just don’t look!’(from Treehouse of Horror VI, 1995)

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In this Halloween episode, one vignette (‘Attack of the 50-foot Eyesores’) sees Homer inadvertently unleash a parade of gigantic, disgruntled advertising mascots on Springfield. As they proceed to destroy the town Godzilla-style, Lisa teams up with singer Paul Anka to persuade the townsfolk that if they don’t pay the monsters any attention they will, like all ineffective advertising, disappear. Their chosen medium? A catchy jingle called ‘Just Don’t Look.’

How one earth does this relate to self care? Modern technology! The ability to be constantly connected to the world absolutely has its up sides, but this is being increasingly marred by a sense of mental overload and fatigue. I frequently hear people talk about the double-edged sword of mass communication – the yearning to switch off (figuratively and literally) and not be involved for even a short period of time, tempered by a seeming need to keep connected, often typified by the wonderful acronym FOMO (‘Fear of Missing Out’). In the same way that one is conditioned on some level to answer a phone if it rings, many people are now becoming similarly wired to engage with each and every alert, whether it be an email, text or Facebook update, instantaneously, seemingly without any semblance of free will to actually decide if one wishes to be updated or not.

It may sound melodramatic but I truly believe that this can constitute a threat to one’s mental wellbeing. The ability to simply be is already hard enough to cultivate, and technologies that function to keep us permanently connected to the outside world intrinsically work against this. A possible solution? Just don’t look! I have started playing this jingle in my head when, for example, I see a work email notification come in on my day off. Previously I may have given in to curiosity and decided that it was no big deal to ‘just see who it’s from’ but more often than not this simply served to distract from moments of rest, relaxation or personal nourishment, such as spending time with a friend or loved one. These self care moments are compromised when we are drawn back to another mental state (for example, the dutiful worker, family member, caregiver, citizen, etc.) and because we spend so much of our time fulfilling these other roles, it can be difficult to simply park and go back to fully enjoying what we were doing before. Mentally humming ‘Just Don’t Look’ has proven to be a simple but effective reminder that the external world is generally not making me engage with it – most often I still have a choice as whether to do so or not, and deciding not to has been very rewarding. The next logical move beyond not looking is actually to turn the phone OFF or to go out without it – an increasingly alien concept but one that can be extremely liberating, if a bit disconcerting at first. Why not try it out?

Simon 

The Creativity of Therapy

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Beach House

Several months ago I became aware of a niggling feeling that my life was lacking in a sense of creativity. Corresponding with an actively artistic friend in the US, I lamented that the most tangibly creative thing I had done in what felt like an age was compiling the mix CD I was shortly going to post to her. Now don’t get me wrong – I put a lot of time and care into that mix CD and actually got a great amount of pleasure from listening to it myself afterwards, but somehow it didn’t seem enough. I was reminded of a feeling I had in my late teens – while a large portion of my friends were busy displaying their creative chops in various bands, I occupied the more sedentary position of musically-ungifted music-obsessive. You could ask me anything about Björk’s latest offering or the hot new band to come out of New York (this being the post-Strokes early noughties), but in more actual terms my creativity on that front was seemingly confined to the curating of, again, mix CDs. It seems this vague sense of ennui had persisted on some level since then – dissatisfaction at being the perennial audience member but never the creative driving force.

More recently, however, I have been reassessing this somewhat one-sided view of things, opening my mind to the wider scope of different ways one can be creative. For example, writing this blog is creative, but so is making up a nonsensical song in the shower. Chief among these explorations was the realisation (and something I had never concretely conceived of before) that therapy, as a process, is a deeply creative endeavour – and this is something I engage in with other people every single week. I was inspired to this thought after reading an interview with one of my favourite bands, Beach House, in the aptly-named article:

Beach House on creating your own world

Equally apt was the fact that it came from The Creative Independent, a Brooklyn-based initiative whose goalis to educate, inspire, and grow the community of people who create or dream of creating.’ That’s a whole lot of creativity going on.

Like the typical therapeutic relationship, Beach House is made up of just two people, Victoria Legrand and Alex Scally. Starting with that principle, I was struck by some of the similarities between the pair’s musical and songwriting partnership and the partnership I aim to establish with my clients – one of equality and respect that is also constantly evolving. As Legrand elaborates,

It’s always changing and it’s also always surprising us, too. I think we are still finding new ways of working together. It’s not something predictable. Yesterday we were talking about this, I was saying, “Isn’t this funny how we’re doing this now?” Or, “This is different than it used to be. I like this. I’m glad we’re doing things this new way.” I think you never stop getting close to somebody. In any partnership it’s a lot of hard work, but when you get past the fact that it’s hard work, there’s this nice oasis where it does feel effortless and you get these little surprises.

To me, this is very much akin to how the therapeutic relationship gradually deepens over time, from early days possibly characterised by a sense of optimistic apprehension to a freer sense of shared intimacy, where being oneself with another feels more comfortable, less scary. And this is creative. Therapists help their clients to explore, challenge, accept, adapt, plan, move, and so much more. We can aid them in reassessing a life situation, give perspective on how they can reform or reject the status quo, and then bear witness as they reshape their pasts into a more satisfying present. Doing so is not as simple as merely sitting across from someone and asking them how they feel (in spite of the enduring therapist stereotype). It requires curiosity and creativity from the practitioner, and an equal dose of the same from their client – after all, what could be fundamentally more creative than forging a new or more authentic path for oneself? As Legrand expands, from a musical standpoint:

It’s really just a journey for each individual… Maybe you’ll discover through music that you’re actually a painter, so maybe you should do that instead of trying to be a rock star. Maybe you’re something else. I think that it’s just about asking questions, but also producing things and making stuff. It’s the only way, really, to find out who and what you should be… Being creative, making things, figuring yourself out—that’s never a waste of time.

Ultimately, the spirit of creation and creativity, of embarking on a journey into the unknown, of asking questions and figuring things out, or, to paraphrase David Bowie, turning to face the strange (ch-ch-changes), is really at the heart of the therapeutic encounter. Now all I need to do is create a mix CD that sets these ideas to music… Suggestions?

Simon

Beach House’s latest album, B-Sides and Rarities, was released in June of this year. Listen to its lead single below:

Beach House – ‘Chariot’